Monday, February 23, 2015
Ink Motions with Dawn Flemington
Dawn started out hobby writing fan fiction back in the 70’s and has had a few things published in fanzine form and on fan-fic websites. She has written a weekly column for a county newspaper and has had a few magazine articles printed.
Dawn is engaged to Scott Flemington, a retired HS English teacher and sometimes co-author on stories. They are life-long Michiganders and between the two of them, have five children, seven grandchildren, two adopted senior dogs, a fat sassy cat, two stray, but equally sassy kittens and a turtle who is the boss of all of them. They are highly active with their local GLBT and BDSM community.
CONTACT ME:
EMAIL = dawnflemington@dawnflemington.com or dawnflemington@gmail.com
FOLLOW ME @
Bruce Deirmann has lost everything. His job, his house, his children and his partner. The holidays are fast approaching and even though he has a well-meaning ex-wife cheer leading him on and his daughter’s wedding in the wings, he still feels hopeless. At the end of his rope, he is challenged to make an early resolution – to start living again.
Jorry Nelson is a quirky dog walker who’s made a few resolutions himself. Alone in the world, he is determined to better his life and get out of the illegal job he is trapped in. A childhood friend of Bruce’s children, he enters Bruce’s life at the right time and the attraction on both parts is immediate.
Love blossoms like May in the cold of December. However, trouble follows Jorry and though he and Bruce are working on a new beginning for the both of them, will Jorry be able to leave his past activities behind? Or will they haunt the couple and tear them away from each other before true love and happiness have a chance to live?
Excerpt:
“Bruce! You didn’t break for lunch again. Get your ass to my office now.”
“Yes, dear.” Bruce ended the call and picked up his tools, which surrounded the snowmaking cannon, wondering again if working for his ex-wife was such a hot idea.
Not that he wasn’t grateful. After twenty-five years of employment, his old firm had sold out. The company underwent a major overhaul, and the new management decided to take a more youthful approach. Unfortunately, Bruce didn’t fit the fresh image, and forced early retirement became a reality six months ago.
It was through their two adult children, Kelley and Kerri, that Gail found out about his predicament. She and her current husband, Warren Windom, had hired him as maintenance for their golf and ski resort located on the outskirts of Gaylord. The job had its merits—his department was always busy repairing something, and the job brought in a decent paycheck. However, the downside was spending the major part of his week with a well-meaning yet domineering ex-wife, who made it her business to watch out for him, whether he wanted it or not.
After washing the grease from his hands, Bruce left the maintenance garage and headed up to the resort office. The secretary’s chair was empty, but the adjacent door stood wide open. Behind a large cherrywood desk, a plump woman sat with a phone to her ear. She glanced up and waved her bejeweled hand, motioning for him to sit. As he entered the office, Gail’s two corgis—Gingersnap and Snickerdoodle—bolted out from under her desk and danced around Bruce.
“Yes. I’ll expect that holiday shipment no later than Friday. Good-bye.” Gail slid a deli sandwich across the desk and leaned forward in her leather-padded chair, her full attention on him. “Bruce, you haven’t been clocking out for lunch.” She licked her lips and tore open her own deli sub. “You know how I feel about that.”
Bruce rolled his shoulders with indifference. “I haven’t had an appetite.”
“You have to eat. Keep your strength up and all that crap.” Gail spoke around a mouthful of food. “Besides, the wedding is coming up in less than seven weeks. We need to make sure you’re healthy enough to walk our daughter down the aisle.”
He unwrapped his ham-and-cheese sandwich and bit down, ignoring the two pair of brown doggy eyes following his every movement. Leave it to Gail to cause drama where there was none. “I’m doing fine.”
“To hell you are.” She glared at him over her rectangular reading glasses. “You’ve lost at least seventy pounds, and on your six-foot-four-inch frame, it looks terrible, like a refugee from one of those starving countries over in Africa.”
Bruce sighed. His weight loss was not that severe, though it had rid him of his beer gut. “Anything else wrong with my appearance?”
“Now that you mention it, yes. Your eyes have dark circles underneath, and the gray hair at your temples makes you look much older than you are. And what’s up with the beard? You’re like somebody’s grandpa.”
Bruce tugged at his scraggly beard and declined to answer. “The circles are because I can’t sleep at night. The hair”—Bruce brushed at his hairline by his ears—“makes me look distinguished.”
Gail snorted. “Says who?”
“Robert.”
At the sound of the man’s name, both corgis whined and placed their heads on their paws. Gail’s stern features softened. “Hun, Robert has been gone for two years.” When Bruce did not answer, she reached over the desk and touched his hand. “I know there’ve been many changes in your life recently. I understand.”
“You understand? I don’t think so.” Bruce shoved her hand away and tossed his sandwich aside on the desk. “Three years ago, our children moved out of the nest. Two years ago, my partner of fifteen years died of cancer. This year, I lost my career, and I’m packing and moving out of a house I grew up in. What’s left?”
“What’s left, indeed.” Gail brushed sandwich crumbs off her lips, causing the matte red color to smear off on her fingertips. “Think about it. You have a new job. You have a chance for a new residence, with no ghosts. Our son will be graduating U of M soon, our daughter is getting married, and you still have me for a friend.” She carefully wiped her chubby fingers on a napkin. “That’s a lot to be thankful for.”
“I’m thankful for those things. It’s just…” Bruce bowed his head.
“What? Come on, now. Don’t clam up. Keeping things inside isn’t good for your health.”
“I’ve never felt so utterly alone.” Bruce rose from his chair and stared out the vertical blinds at the overcast skies and barren trees. “It’s like forever winter in my life. Cold, dreary, and barren.”
“Stop.” Gail walked around the desk to sit on the corner. “You’re depressing me.”
“Well, you asked.”
“So you’re living in December.” Gail leaned back thoughtfully while the short little bodies of her dogs danced at her dangling feet. “What you need is the fresh breath of May to fill your hungry heart.”
Bruce shook his head. “Oh, no. Don’t even go there.”
“Go where?”
“Suggesting I need a love life.”
“I was thinking more of a new life resolution.” Gail crossed her arms, pushing her ample breasts forward. “However, you bring up an interesting point. What better way to get back in the game of life than to have a new love interest?”
The mere thought of dating again set his teeth on edge. The pool of men was dwindling in his age bracket, not to mention all the time and effort it would take to invest in another relationship. “I can’t.”
“Why not? You know Robert wouldn’t want you to live the rest of your days alone and withdrawn.”
“I know.” The thought of Robert panged his heart, but not nearly as strongly as it had in the past. Bruce slid his hands into his back pockets with a loud exhale. “But I’m too old, weary, and have nothing to give.”
Gail stuck her tongue between her lips and blew. “Pishaw. You have plenty to offer a potential partner. You have to want to get off this melancholy merry-go-round and get your”—she swiveled her arms in the opposite direction of her hefty derriere—“groove back. And what better time to start? The holidays are almost upon us. Everybody is searching for someone to be with. I say make it an early New Year’s resolution. Start living again.”
Gingersnap and Snickerdoodle woofed their agreement.
Bruce knew his ex’s intentions were good, but he did not want to deal with things of that nature at work. He noted the clock on the wall with much relief. “Lunch is over. Time to get back to work.” He grabbed his sandwich and, without a good-bye, rushed out the door.
Gail called after him, her voice loud enough to travel into the hallway. “Tell me you’ll think about what I’ve said.”
Bruce did not reply.
Buy Links
http://www.loose-id.com/may-in-december.html#product_tabs_description
http://www.amazon.com/May-December-Dawn-Flemington-ebook/dp/B00RM9EKOE/ref=sr_1_1?s=books&ie=UTF8&qid=1423270502&sr=1-1&keywords=May+in+December
Monday, February 16, 2015
Ink Motions with Aurelia Evans
Bio:
Aurelia T. Evans is an up-and-coming erotica author with a penchant for horror and the supernatural.
She's the twisted mind behind the werewolf/shifter Sanctuary trilogy, demonic circus series Arcanium (publication starts April 2015), and spiritual gothic/urban fantasy series Meridian (publication TBD). She's also had short stories featured in various erotic anthologies.
Aurelia presently lives in Dallas, Texas (although she doesn't ride horses or wear hats). She loves cats and enjoys baking as much as she dislikes cooking. She's a walker, not a runner, and she writes outside as often as possible.
Links:
Bloodbound serial novel page
Blog
Interview
How do you get an idea for your novel?
In Bloodbound’s case, it’s been eighteen years in the making. I read an abridged version of Dracula when I was in third grade and fell in love with vampires then and there and forevermore. A few years after that, I snagged onto an idea for a vampire novel that was along the lines of ‘kidnap a human to become a vampire bride.’ Apparently, I’ve been into abduction fantasies for a long time, and I can’t blame romance novels for that.
Understandably, my first efforts weren’t very good. To my credit, I kept trying—from ten years old to twenty-eight. I’m hoping I finally got it right, although I suspect the spirit might live on in another story in the future. It seems to be one I’m happy with.
What is your writing style? Do you just sit down and write?
I’m definitely a pantser, but my poor memory and the increasing number of projects on my plate have necessitated a little bit of plotting. I do a basic, almost stream-of-consciousness outline. Any more than that, and I lose the urge to create.
I’m also not one of those people who can hop from scene to scene as the spirit moves them. I have to write from beginning to end. Period. It means I can’t skip the less exciting scenes, which is honestly more impetus to get them written.
How many novels have you written, including all works in progress you are currently working on?
Geez, do you have a few hours while I count? I presently have two novels published, nine novels already written that are slated to be published in the next two years, and four unpublished novels in a different genre (three of which are epic in length and subject). That’s not counting fanfiction or abandoned works.
I like to write, and I had a lot of time to do so last year when I was too sick to work a more structured job.
What is your favorite plot line type?
I’ve found that I do my best work when I’m writing variations on the Beauty and the Beast story (there’s that abduction theme again). Sometimes the variation is very loose, of course, but it’s a trope that seems to speak very strongly to me. I love a good monster for a romantic interest.
Is there any advice you can offer to anyone who would like to write?
I have two big things that I advocate for every writer, no matter what kind they are.
One, make time to write and commit to it. An idea and the early stages of writing are exciting and seductive, but writing is work. It’s fulfilling work, but there will be less exciting times, slow times, times when you’re writing something that doesn’t inspire you. Bridge scenes, I call them. Necessary, but not the kind of scenes that spark your writerly imagination. But I swear, the reader won’t be able to tell.
The middle is where most new writers start abandoning their manuscripts. Now, sometimes, that’s because they realize the story isn’t working, which isn’t uncommon for a new writer finding their voice and figuring out what works and what doesn’t.
I’m guessing, however, that boredom and the slog of unglamorous writing contributes to many a book abandonment. I advise new writers not to chase the early high of an idea and expect it to last the whole novel. It won’t. We color a pretty picture of muses and inspiration as the only way to write, but sometimes you’re going to have to write without it. That is, if you want to finish. Instead, write for the more subdued but far more satisfying high of finishing a novel.
Second, always have integrity. Your plot and your characters are the most important thing. Not your audience. Not your marketability. Not your appropriateness. Not how many people are going to like you (and man, that’s a hard one to live by). Be true to your story and to your characters, and you’ll write right every time. It’s a good compass to use.
What is a good villain?
I’m a bad person to ask. Too often, the ones who would be villains in other novels are love interests in mine. And the truth is, there are about as many different types of villains as there are heroes.
The best thing you can do to make a good villain is to empathize with him. It was Tom Hiddleston (the amazing villain Loki, from the Marvel movie universe) who said, “Every villain is a hero in his own mind.” Don’t make villains evil (even if they are). Make their actions rational and reasonable within the world they believe they live in.
Many of my villains aren’t human. I’ve got werewolves (the Sanctuary series), vampires (Bloodbound), and demons (Arcanium and Meridian). They tend to follow an ethical framework that a human might view as villainous, but they view as practical—a framework many humans use in their treatment of the rest of the animal kingdom, honestly. And I say that as an omnivore.
In Bloodbound, my vampires follow a religion that gives them guidelines for how to live. Dominion is a religion very much like Christianity, and the main love interest and his partner are Dominion priests. From the vampiric perspective—and they make a fine (albeit fictional) argument—Christianity is the humanized version of the real truth Dominion possesses. Dominion permits the enslavement and death of humans under a specific set of circumstances—none of which humans would think were very nice, since it’s humans who suffer for it.
The Bloodbound vampires believe they’re doing the right thing. Is it the right thing? To fictional characters, all that matters is whose side the main character happens to take and whether they believe in it. From there, you don’t need a moustache-twirling villain, necessarily. Just an antagonist. Sometimes, the antagonist would be a hero in another person’s story.
Blurb for Blood Lost (Bloodbound Book 1):
Bloodstains on her clothing and bloodlust between the sheets, she’s never been more lost…and that’s why he chooses her.
As if wandering the streets in bloody clothes after losing her memory isn’t bad enough, Julia’s been kidnapped by vampires, then presented to Nathan, high priest of Dominion.
Nathan’s not interested in a bleeder, perfectly content with fellow priest Lucas as his companion, lover, and willing servant. However, when Lucas offers her to him, Julia’s endearing confusion and lack of fear intrigue him.
With nowhere else to go without her memories, Julia accepts his offer and embarks on a sensual but deadly journey into the world of Dominion and its arrogant, esoteric elite…as well as the darkness of her own desires and the mystery of her past.
I would usually put an excerpt here. But rather than an excerpt, why not try the whole first book in the vampire serial Bloodbound, Blood Lost, absolutely FREE? (links to be provided when it’s live)
Bloodbound Release Schedule:
Blood Lost (Book 1) – February 14 (FREE!)
Bleeder’s Ball (Book 2) – February 28
Blood Pool (Book 3) – March 14
Blood on the Moon (Book 4) – March 28
Bleeding Heart (Book 5) – April 11
Bloodbound, the Complete Serial Novel – May 9
Buy Links:
Amazon US (not yet free)
Amazon UK (not free)
Amazon Canada (not free)
Barnes & Noble (FREE, recommended)
All Romance Ebooks (FREE, recommended)
iTunes (FREE)
Goodreads
Monday, February 09, 2015
Ink Motions with Tina Susedik
Tina Susedik has seven history books and two children's books in print, as well a romantic mystery and a short story in a Christmas anthology with Soul Mate Publishing. "The Proposal," a short story for a Valentine's anthology was published on February 4, 2015. She belongs to the Romance Writers of America, Wisconsin Romance Writers of America and is a founding member of the Chippewa Valley Romance Writers.
Tina also writes erotic romance under the name Anita Kidesu.
Tina lives in Wisconsin with her husband of forty-two years. She adores her five grandchildren and loves to camp, hike, bike, scrapbook and, of course, read, read, read.
Connect with Tina:
http://www.theromancereviews.com
http://www.soulmatepublishing.com/
http://smpauthors.wordpress.com/tag/soul-mate-publishing/
http://www.novelengagement.com/
http://www.rwa.org/
http://wisrwa.org/myRWA.htmhttl
http://www.wildrosepublishing.com/maincatalog_v151/
http://www.pinterest.com/tinasusedik/
Interview with Tina:
How do you get your ideas for your novels? Story ideas can come at any time and any place. A few years ago I decided to take riding lessons. I was sitting on the horse, looking down at my instructor explaining how to roll your hips with the movement of the horse. Suddenly I had this vision of a man, who is petrified of horses, take riding lessons from his ex girlfriend who owned a horse ranch. He thinks overcoming his fear of horses by taking lessons from her will win her back. This became my published romantic mystery, "Riding for Love." I can honestly say I don't know where the idea for "The Valentine's Proposal" came from. When my publisher sent out the call for short stories for their anthology, "My Sexy Valentine," the idea was just there. Can't explain that one.
What is your writing style? When I get a story idea, I let it mull around for a bit. I take notes as plot lines come to me. Then I create my cast of characters, have a general idea of where I'm going with the story, then sit down and write. I guess I'm part panster and part plotter, but more panster. Once I'm writing, the characters and plot take on a life of their own and can change. One character for a book I'm working on under my pen name was planned as a rather icky guy. He wasn't a villain, but kinda creepy. But in the middle of a scene I realized he was a decent guy, and I had to rearrange my thinking about him. I than to change some of my plot ideas. He also became the focus of a sequel to this book - which is a good thing.
Who is your writing muse in your life? ie. Who gets your juices flowing? I belong to a writer's group. They help me keep on track. Also my love of writing is the best muse of all. At times when life and work get in the way of writing, I get grouchy. As soon as I'm able to write again, my soul settles down and is happy, happy, happy.
How many novels have you written including Works in Progress? Between my pen name and my real name, I've completed six, not including short stories in two anthologies.
Who is your writing idol? ie Who do you like and what is it about their writing that captures your soul? There are so many authors I love and keep their books on my keeper shelf. I'll only mention a few here. The first is Kathleen Woodiwiss. She was the first romance author I'd ever read back in the 70s. She hooked me with reading romance. Another is Jude Deveraux. I met her at a conference two years ago, and I acted like a blithering idiot. Had my picture taken with her, too. I also love Lavyrle Spencer. I wish I could have met her, too. All these authors have a knack for making their characters come to life. When I read them, I'm not just reading the book, I'm living their lives. They are also the ones I re-read.
What is your favorite plot type? This is a tough one to answer. I enjoy so many. I do like something that has mystery or suspense to it. And, of course, since I read romance, it has to have a happy ending.
Is there any advice you can offer anyone who would like to write? Study the craft and genre you plan to write in. Plan to work hard. And most of all, never, never, never, give up. I didn't get my first book (romance) published until I was 61. I know some who are first being published in their 70s.
What is a good villain? A good villain needs to be more than just the bad guy. He is more than one dimensional. He has issues - maybe his/her family, maybe his/her job. An author should give the villain both good and bad attributes, and, of course, a reason why he/she does what he/she does.
Blurb:
“Valentine’s Day Breakup”
Finding her fiancé in a clutch with the coat check girl sends Shelly straight into the arms of her Soul Mate.
“Inked Hearts”
One night. No boundaries. Uninhibited passion.
Boycotting Valentine’s Day had been Piper’s preferred way of protecting her heart until she collided with bad-boy sexy-tattoo artist Dex. Driven with lust, Piper has her first one-night stand, but dreads morning and saying goodbye to the man who stirs her innermost desires.
“The Twelve Days of Valentines”
As her home business grows, a specialty jam creator receives gifts from a secret admirer. When the news breaks, two men step up claiming to be the gifter. As the twelve days pass, can she figure out the clues and claim her Mr. Right?
“Valentine’s Day Canceled”
When Thor’s son Magni, the new King of Asgaard, cancels Valentine’s day, Astrid knows something is drastically wrong. Can she make things right again and save the fertility festival?
“The Valentine’s Proposal”
When a Valentine's Day proposal doesn't go the way she expected, librarian Janetta Simonson's life is changes in ways she’s never dreamed.
“I’ve Got A Heart-on For You”
How hard can it be to stash three kids with an overnight babysitter, slip into something ridiculously decadent and skimpy, and do naughty things to each other by candlelight on Valentine’s Day?
Sex-deprived spouses Sam and Dell might be finding out pretty soon, and not in the way they’d hoped.
Excerpt:
Devlin Baran followed the statuesque brunette as she stomped from the woman’s room and headed to the bar. His cock twitched as her hips swayed in tight jeans. Was the guy who dumped her crazy? To trade in this hot piece for the washed-out blonde?
He’d noticed her the moment she’d walked into the building. Full breasts. Tapered waist. Not too thin. Tall. His body had reacted immediately. He liked his women tall. He’d been ready to join her when the jerk arrived. During their argument he'd called her Janetta. The name seemed to suit her.
Pseudo cowboys irritated the hell out of him. New boots, shiny belt buckle, cheesy western shirt were all signs. But even real cowhands dressed up for a Saturday night on the town, so he could be mistaken. When the man tossed his hat brim side down on the table, Devlin knew him to be a fake. Any real westerner knew you put your hat top side down so not to ruin the folds.
Since he was out of luck with the brunette, he’d headed to the men’s room, where he observed the encounter. He nearly applauded when the woman smacked the pretend cowboy across the cheek and threw the ring into the crowd. Hell. Not only did he like them tall, he loved them spirited, like his fillies on his ranch.
As she headed to the bar, he shook his head. He couldn’t let a hot woman interfere with the job he had to do, needing all his focus to find out who was slipping drugs into women’s drinks. As a rancher working undercover as an FBI agent, he always seemed to be one-step behind the assholes who thought it fine to have sex with unconscious women.
The man, or men, moved from bar to bar in the small rural area. This was the only one that hadn’t been hit. He hoped to hit pay dirt tonight.
He tried to ignore Janetta’s shapely ass as she sat on a stool next to another pseudo cowboy. She must have a thing for their type. After taking her time with one drink, the man tipped his overly white Stetson, leaned in and said something, making her laugh. The back of Devlin’s neck prickled. He seemed familiar.
What was she thinking, Devlin wondered as she let the guy put his hand on her thigh. Even though she oozed sex appeal, after her encounter with Fred, he had the feeling she wasn’t a sexually aggressive person. She seemed more like a kindergarten teacher.
Janetta took a sip of her orange-colored drink and spoke to the man—who threw his head back and laughed. The hand went a bit further up her leg. She took another drink and swayed into him. Maybe he was wrong and she was just another floozy looking to pick up an unsuspecting cowboy.
The man swung an arm around her shoulders and lifted the glass to her lips. Her head dropped into his neck. He glanced over his shoulder and snuggled her into his side. After a few minutes he pulled her from the stool, and like a man helping a drunk companion, headed toward the door.
Shit. She’s been drugged.
Devlin’s long legs brought him around the bar and behind the couple before they left the building. “Let me give you a hand,” he said, holding open the door. “She looks pretty wasted.”
“Little woman never could hold her booze. Makes for a cheap night out.”
Devlin laughed. “I’ve had a few in my day.” He placed his arm over the man’s arm wrapped around her waist. “Hell, she can’t even walk. Where’s your vehicle?”
The guy nodded to a white van in a dark corner of the parking lot. “Over there. Once I get her in the van, I’ll take her home and let her sleep it off.”
Devlin took Janetta’s full weight as the man dug in his pocket for his keys. “In fact, I’ll just put her in the back until we get home. Alcohol makes her snore.” He opened the rear doors.
“You keep a mattress in your van?” Devlin tried not to search for his partner and their team.
“Yeah, I never know when I’ll be on the range and need to take a nap.”
Devlin refrained from snorting. Who the hell used the term range anymore or used a van for ranch work?
“Give her to me. I can take it from here.” The man pulled Janetta from Devlin's arms and placed her on the mattress. “Thanks for your help, bud.” He reached out to swing the doors shut.
Even though he knew they were coming, Devlin flinched when a voice called from the darkness.
“FBI. Hands up, you bastards.” One agent whipped the slime ball around and slapped handcuffs on his wrists. “You’re under arrest for kidnapping.”
A taller one slammed Devlin against the van. “You, too, you son-of-a-bitch.”
“Ease up,” Devlin whispered out the side of his mouth.
“Whimp,” Brad Christie, his partner said. “I’ll go easy with the cuffs so as not to hurt your delicate skin.”
Brad pressed Devlin’s head down as he pushed him into the unmarked car. Two FBI agents removed Janetta from the van and placed her in another dark vehicle. Devlin suspected the other man had already been whisked off to the local police station. It was all done so quickly, quietly and efficiently, unless a party-goer had been outside the bar peering into the dark, no one would have known anything had occurred.
Buy from Amazon: http://tinyurl.com/ne93mon
Sunday, February 08, 2015
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Monday, February 02, 2015
Ink Motions with Suz deMello
Best-selling, award-winning author Suz deMello, a.k.a Sue Swift, has written nineteen books in several genres, including memoir, nonfiction, erotica, comedy, historical, paranormal, mystery and suspense, plus a number of short stories and articles on writing. A freelance editor, she’s held the positions of managing editor and senior editor, working for such firms as Totally Bound and Ai Press. She also takes private clients.
Her books have been favorably reviewed in Publishers Weekly, Kirkus and Booklist, won a contest or two, attained the finals of the RITA and hit several bestseller lists.
A former trial attorney, her passion is world travel. She’s left the US over a dozen times, including lengthy stints working overseas. She’s now writing a vampire tale and planning her next trip.
--Find her books at http://www.suzdemello.com
--For editing services, email her at suzdemello@gmail.com
--Befriend her on Facebook: http://www.facebook.com/SuzDeMello
--She tweets @Suzdemello
--Pinterest: http://www.pinterest.com/suzdemello/
--Goodreads: http://bit.ly/SuzATGoodreads
--Her current blog is http://www.TheVelvetLair.com
Ink Motions - Interview
How do you get an idea for your novel?
Perilous Play is a fictionalized memoir, so all I did was tell what I remembered—with names, dates and places altered. I added one scene to complete the story arc, but otherwise, it’s all true.
What is your writing style? Do you just sit down and write or do you create ___???
I tend to know where the story is going before I begin, but I like to throw a few curve balls into the process. For example, when writing suspense or a mystery, I’ll start out by knowing who the villain is—but I’ll change that toward the end of the novel. I may have to go back and change some stuff in the beginning of the book, but then the solution to the mystery is more of a surprise.
Who is the "Writing Muse" in your life? I.E. who gets your juices flowing when___?
I used to suffer from a hellacious case of writers’ block, and found that blogging was the way out. I blog regularly, which means I write regularly. Getting into the habit of writing is extremely important.
How many novels have you written including all works in progress?
Twenty books plus a number of short stories and articles on writing—a little more than one book annually.
Who is your "writing idol"? I.E. Who do you like and what is it about their writing that captures your soul?
I don’t really have one. Stephen King would be the closest. He writes in a broad range of styles, as I do. And I loved On Writing—very inspiring.
What is you favorite plot line type?
I love Regency romance, so I’d say the classic Regencies of Georgette Heyer are my faves.
Is there any advice you can offer to anyone who would like to write?
Read great books written in the last fifty years, to get a feel for what a good book is and what good modern writing is.
What is a good villain?
A good villain is a well-rounded character like any other. S/he must be a match for your hero and heroine.
Perilous Play: The Real Fifty Shades
Suz deMello
One woman’s journey into the contemporary kink underworld, Perilous Play is Suz deMello’s explosive personal account of her experiences with BDSM. Engaging and honest, this groundbreaking memoir will grab you and never let you go.
Here’s an excerpt about one of my first BDSM experiences, with a man I call Trapper Hart. Trapper is a real person. That’s not his true name of course, but I gave my word that I wouldn’t reveal his secret life. I don’t owe him anything—not after the way he treated me—but I do keep my word.
We explored the dungeon and the equipment. The play space was clean and nicely decorated, with the usual emphasis on chains and black leather. There were Saint Andrew’s crosses, racks and slings, all of which intrigued me. The old-fashioned dentist’s chair startled me. I’ve been with a dentist, and little about him had been sexy.
Upstairs was a huge, romantically draped bed with sturdy-looking bedposts. A few feet away was a contraption that looked as though it had been designed with bondage and discipline in mind. It had a horizontal ring to hold the face and head attached to a surface, perhaps three feet long, for one’s torso to rest upon. Arm and leg supports, and every inch of it was padded. Every part of it had rings for the attachment of ropes or chains.
I looked at him and then this…bondage device…and then back at him. He smiled.
I said, “I want you to know that when we do this, I’m going to develop some deep feelings for you. I’m falling for you.” I know myself fairly well, and am aware that for me, sex and intimacy are intertwined. I wish I didn’t feel that way, but I tend to become emotionally involved with the men I’m fucking. The weekend had already been very intimate, and deeper intimacy was coming. I asked Trapper, “Can you deal with that?”
I needed to know that I would be taken care of. Not just my body but my mind and heart as well.
He told me, “Yes, there will be a role for you.”
A niggle of doubt itched me briefly, but at the time, that was enough for me to hear. I was eager to advance into this new experience, one I had craved for so long.
He directed me to remove some of my outerwear before hooding and gagging me. Then he guided me to the whatever-it-was and eased me onto it face down. He secured wrist and ankle restraints around me, then tied them to it. Lifting my skirt, he cut off my black lace panties.
I told myself never to wear panties around Trapper again. What for?
So I was bound to immobility and completely available. I was gagged, which meant that I could maybe grunt out my “safe word” if necessary. Or not.
Again, I don’t recall exactly what happened...the amnesiac effect of the oxytocin, I suppose. I remember being spanked, flogged and thoroughly fucked. I remember being smacked repeatedly with something—I didn’t know what, but I suspected it was made of leather—that hurt like a motherfucker. I recall begging him, “Please, sir, please sir, please sir…” through the gag.
I remember coming a lot.
I remember Trapper bending over me, covering me with his body and heat, hissing into my ear, “Whose are you?”
To which I promptly responded, “I’m yours.”
And I meant it.
Buy Links:
https://www.smashwords.com/books/view/509003 (smashwords)
http://tinyurl.com/MemoirDeMello (Amazon)
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